Author: Rainestorm

  • Broken men

    Broken men
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    If P.T. Anderson’s previous drama, There Will Be Blood, was about two men who see each other for exactly who they are, his new film, The Master, shows us two deeply broken men trying to escape from themselves. The master, it turns out, is neither Joaquin Phoenix as troubled World War II veteran, Freddie Quell… Read more

  • In absentia

    In absentia
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    You may or may not have noticed a conspicuous lack of blog entries since I took former film-master Ridley Scott to task for his dreadful Prometheus. There are a number of reasons (or excuses) for this. In the end, I think I grew weary of writing how woefully inadequate movies have become. This summer’s disappointing… Read more

  • Score Card: A River Runs Through It

    Score Card: A River Runs Through It
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    Score Card is devoted to an unseen but pivotal force behind the best (and worst) movies: the motion picture score. An ethereal veil of ambiance, its absence can be as powerful as its presence, and its misuse can bring down a single scene or an entire film. This column will be something of a journey… Read more

  • Trophy strife

    Trophy strife

    Much has been made of a possible Oscar nomination for Andy Serkis’ astonishing performance(s) in Rise of the Planet of the Apes. If there has ever been the nagging question of whether or not it was his performance or the work of the animators that brought the simian Caesar to life, the following video should… Read more

  • Ten for ’11

    Ten for ’11

    Any honest annual top ten list would have to stipulate that they are the foremost movies the writer was actually able to see. It is improbable, if not impossible, to attend every release in a given year. There are a dozen or so films that I didn’t have the opportunity to assess, either because they… Read more

  • Second wind

    Second wind
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    I found it nearly impossible to watch David Fincher’s The Girl with the Dragon Tattoo without the spectre of Niels Adren Oplev’s adaptation prodding my expectations. Objectivity became even more strained as events inched ever closer to that scene. The traumatizing effect of its Swedish predecessor clouded the entire first act of the film (a… Read more

  • Guns, guts and gadgetry

    Guns, guts and gadgetry
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    Brad Bird loves James Bond. This was evident in the Sean Connery-era 007 touches he infused into his Pixar hit The Incredibles. It is even more evident in the director’s recent Mission: Impossible episode (gone is the numerical increment, instead we’re given an honest-to-god subtitle, Ghost Protocol), an enjoyably absurd spectacle that hearkens back to… Read more

  • And for the defense…

    And for the defense…

    As the 3D debate rages on, more directors are taking up the medium even as the public seems to be rejecting it. James Cameron promised great things with Avatar but delivered an unremarkable animated tale whose 3D was as flat as its characters. The numerous 3D films that flooded cineplexes in its aftermath did little… Read more

  • Son of 31 Nights, 31 Frights: Wrap-up

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    It’s been another fantastic Halloween month. I hope you enjoyed the daily selection of films chosen for this year’s fright film fest. Special thanks to guest blogger, Miguel Rodriguez, for his contributions. Below is a listing of all the films highlighted this year. Have a Happy Halloween… II! Read more

  • Son of 31 Nights, 31 Frights: Halloween II

    Son of 31 Nights, 31 Frights: Halloween II
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    Nowhere near as good as the original but still manages to keep the same tension and dread, even as it amps up the creative carnage. Michael Myers stalks survivor Laurie Strode through the bizarrely dark and deserted Haddonfield Hospital where she seems to be the only patient. Read more